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Arches that frame a view, and the symmetry of a dome.




Night and long exposure.





Black & white, and two photographs in selective colour.



Seen whole, then up close: the full frame and a four-times enlargement of the eye, and a toucan in profile. Move over the feather and the magnifier shows every barb.Tap the feather to open it full screen, then pinch in.


Landscape: open fields under a wide sky.

20 photographs in six rooms.
| 01–05 | Balcony, in Yellow · No. 7-45 · Cranes at Dusk · Tethered · The Bathers | Room 1 · Colour & Facades |
| 06–09 | The Red Arch · Frame within a Frame · Through the Mist · The Dome | Room 2 · Arches & Frames |
| 10–14 | Across the Water · Opera, After Hours · Étoile · Shadow Garden · Violet Hour | Room 3 · After Dark |
| 15–17 | Ascent · The Red Lift · Lift, in Orange | Room 4 · Monochrome |
| 18–19 | Flamingo, with detail · The Painted Bill | Room 5 · Close Up |
| 20 | Before the Rain | Room 6 · Open Country |
I'm a photographer and artist, and I've lived in the Gulf for about 15 years.
Much of my work starts with simply noticing the small, overlooked details that turn any place or moment into a world of its own. Photography, for me, is all about perspective and the interaction of light and matter. It's a way of pausing time, of admiring the detail with which we perceive reality, and of realising how much of it our brain quietly filters out.
Drawing comes from the same curiosity, approached from the other direction. Rather than finding a moment, I let one unfold. Each drawing starts with no intent or design: just three or four foundational lines, which I build out, little by little, into a structure, weighing colour, balance, flow and the use of space as it grows. My first pieces were drawn in pencil, and since 2015 I've drawn on the iPad. You'll find these Figures in the Annex.
If something here stays with you, I'd love to hear from you: [email protected]