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Now showing · 20 photographs in six rooms

Geometry, colour & the quiet hours of cities

Hover any photograph to magnify it · click to see it full screenTap any photograph to see it full screen · tap or pinch to zoom

Room 1Colour & Facades

Walls, balconies, a sunset skyline, painted iron and an orange fountain.

Yellow facade with white balustrade
Balcony, in YellowFacade study
Orange wall with hand-painted tile beside a white door
No. 7-45Wall, tile and door
Construction cranes silhouetted against a pink and orange sunset
Cranes at DuskSkyline under construction
Rusty chain looped over a blue-painted rail with white balusters
TetheredPainted rail and chain
Pigeons bathing and taking off from an orange fountain bowl
The BathersPigeons at a fountain

Room 2Arches & Frames

Arches that frame a view, and the symmetry of a dome.

Red Fort arch framing trees, tall portrait
The Red ArchRed Fort
Scalloped arch framing a red palace facade
Frame within a FrameJaipur
Taj Mahal in fog, framed by a red sandstone arch
Through the MistTaj Mahal, Agra
Museum of Islamic Art, Doha — dome interior
The DomeMuseum of Islamic Art, Doha

Room 3After Dark

Night and long exposure.

Doha skyline at night across the water
Across the WaterDoha, Qatar
Odesa Opera House at night
Opera, After HoursOdesaLong exposure
Arc de Triomphe at night with light trails
ÉtoileArc de Triomphe, ParisLong exposure
Pierced brass lantern casting patterned shadows on paving at night
Shadow GardenBrass lantern and its shadows
Doha skyline at night under a purple sky, with palms along the waterfront
Violet HourDoha, Qatar

Room 4Monochrome

Black & white, and two photographs in selective colour.

Eiffel Tower in black and white, low angle
AscentEiffel Tower, ParisBlack & white
Eiffel Tower ironwork with red lift cars
The Red LiftEiffel Tower, ParisSelective colour
Eiffel Tower ironwork in black and white with orange lift cars
Lift, in OrangeEiffel Tower, Paris

Room 5Close Up

Seen whole, then up close: the full frame and a four-times enlargement of the eye, and a toucan in profile. Move over the feather and the magnifier shows every barb.Tap the feather to open it full screen, then pinch in.

Macro of flamingo feathers
FlamingoFeather and eyeMacro
Flamingo, detailThe eyeEnlarged 4× · opens full screen
Keel-billed toucan in profile against a red background
The Painted BillKeel-billed toucan

Room 6Open Country

Landscape: open fields under a wide sky.

Stone windmill on a green hill under a grey sky
Before the RainStone windmill on a green hill
End of Room 6One more thing →The Annex · figures, 2016–2026
Step through into the Annex →

IndexList of works

20 photographs in six rooms.

01–05Balcony, in Yellow · No. 7-45 · Cranes at Dusk · Tethered · The BathersRoom 1 · Colour & Facades
06–09The Red Arch · Frame within a Frame · Through the Mist · The DomeRoom 2 · Arches & Frames
10–14Across the Water · Opera, After Hours · Étoile · Shadow Garden · Violet HourRoom 3 · After Dark
15–17Ascent · The Red Lift · Lift, in OrangeRoom 4 · Monochrome
18–19Flamingo, with detail · The Painted BillRoom 5 · Close Up
20Before the RainRoom 6 · Open Country

AboutDavid Herrera

I'm a photographer and artist, and I've lived in the Gulf for about 15 years.

Much of my work starts with simply noticing the small, overlooked details that turn any place or moment into a world of its own. Photography, for me, is all about perspective and the interaction of light and matter. It's a way of pausing time, of admiring the detail with which we perceive reality, and of realising how much of it our brain quietly filters out.

Drawing comes from the same curiosity, approached from the other direction. Rather than finding a moment, I let one unfold. Each drawing starts with no intent or design: just three or four foundational lines, which I build out, little by little, into a structure, weighing colour, balance, flow and the use of space as it grows. My first pieces were drawn in pencil, and since 2015 I've drawn on the iPad. You'll find these Figures in the Annex.

If something here stays with you, I'd love to hear from you: [email protected]